| As you or your band performs, be it from club to | | | | your shows so when they have a chance to connect |
| club around town or nationally, there is usually one | | | | you to a scout, your band is on their list of hot new |
| thing lingering in the back of your mind... | | | | acts. |
| How do you go about getting that one big break | | | | * Never miss a chance to network but look for |
| that will push you ahead toward greater recognition | | | | innovative ways to advertise yourself as well. The |
| and success artistically? | | | | internet has lots of new and interesting sites that |
| You know it happens to artist and bands all the time. | | | | scouts are starting to watch for new talent. If you |
| That time could come soon for your group to break | | | | have the resources, get a web page up and get |
| out of the local scene and land that recording | | | | some MP3 samples of your performances out there. |
| contract or national tour that will get you on your | | | | You can easily set up a website using a service like |
| way to greater success. | | | | and you can also easily put your music on your site |
| You know there are tried and true methods. Having | | | | or anywhere else online, even in emails in MP3 format |
| a great demo or being interviewed on the local radio | | | | using a service like the one offered at . |
| shows at once seemed like a good idea. But times | | | | The services offered by these two websites are |
| have changed in the music industry. In this article, we | | | | extremely inexpensive and so simple to use, a 5 year |
| will discuss some up-to-date information and inside | | | | old could do it, yet they will have you looking like a |
| tips on how to get noticed in this tough business, in | | | | music industry professional in no time at all. |
| short I�ll give you some info that will literally | | | | Is the Demo Dead? |
| place on the music industry radar screen. The | | | | From what we have learned so far, you would think |
| knowledge that I�m about to share with you | | | | the demo is ready to go into the hall of fame as an |
| will work for any and everyone: Songwriters, Singers, | | | | out-of-date tool. But the demo tape still has some |
| Musicians, Rappers and for all genres of music: Pop, | | | | real value to you. The best demo is one that |
| Rock, Rap, Gospel, R&B, Jazz, Grunge, Country and | | | | showcases not only your musical skill but the |
| everything in between! | | | | personality and the performance skill of you or your |
| Where are the Scouts? | | | | band. If you can have someone put a demo together |
| You have had the thought run through your mind as | | | | from one of your performances, that gives an agent |
| you perform for an enthusiastic crowd in a club or | | | | or scout a bit of a feel for what to expect from you |
| bar. Are there music industry scouts in this crowd? | | | | when he comes to see you. |
| Maybe you just laugh it off but you have heard that | | | | So treat the demo as part of your bag of tricks but |
| they are out there watching bands like yours and | | | | it isn�t the thing that is going to seal the |
| signing the talented ones to develop into stars. | | | | deal. If a scout likes what he hears or at least his |
| What you have heard is true. Industry insiders tell us | | | | curiosity is peaked, he will then seek out ways to |
| that now more than ever, scouts are everywhere. | | | | see you live. Then we are back to the club |
| You may worry that you are not living in one of the | | | | atmosphere, your relationship with your crowd and |
| big �music industry towns� like New | | | | your performance. Those are the things that will get |
| York, Chicago, L.A. and Nashville but that | | | | you noticed in a way that will lead to bigger breaks. |
| isn�t important. Remember, Seattle | | | | Look at the demo as just the hook with a little bit of |
| wasn�t on the map before grunge hit and | | | | bait on it. You can also use your demo on your web |
| they found Sir Mix A-Lot and for you Rock Heads, | | | | page along with some video footage of your live |
| Kurt and Eddie. | | | | performance to showcase the excitement of your |
| But what if you don�t always have the | | | | shows. Remember both and offer some of the best |
| biggest audience in town. Well, some of the biggest | | | | services in the industry for doing this. |
| acts in the music business were | | | | Video Didn�t Kill the Radio Star |
| �discovered� playing to a small and | | | | Radio used to be the primary medium for distributing |
| intimate crowd. If your performance is strong and | | | | information about new acts and for getting your |
| you are getting good word of mouth, the music | | | | music played and noticed. But changes in ownership |
| industry scouts will find you and check you out. So | | | | of radio stations and in how they are programmed |
| perform every night like they are out there because | | | | have changed that too. The radio station is no longer |
| there is no reason to believe that they are not. | | | | a significant communication channel for you to use to |
| Go Get Them | | | | get on the music industry radar screen. |
| But you don�t have to sit around and wait | | | | A lot of factors have dropped radio off the radar |
| for them to come to you. The new �hunting | | | | screen for getting noticed. Airplay is not as much of |
| grounds� for bands and talent are well | | | | a factor as it used to be when there was a lot of |
| known to the insiders. Once you know who it is that | | | | diversity in radio. Radio is nearly a monopoly with all |
| is feeding the information to music industry scouts | | | | of the play list decisions made by one central national |
| and agents, you can learn the tricks of the trade to | | | | firm. So if you think that any one individual at your |
| feed information about you or your band into that | | | | area radio stations makes airplay decisions, you |
| system. Here are a few of the newest methods and | | | | should revise that opinion because they do not. This |
| venues you can use to get yourself noticed: | | | | little insider tip alone can save you huge amounts of |
| * Perform, Perform, Perform. These days the local | | | | wasted energy and frustration when trying to get |
| club scene is the most important way to get noticed. | | | | noticed. |
| Don�t wear yourself out chasing agents or | | | | But don�t worry, scouts and music industry |
| scouts. If your performances are strong, that will | | | | agents know they will not find the new, the |
| create a buzz and the word of mouth will get you | | | | innovative and the creative music on radio. They |
| noticed. Then the scouts will come to see you rather | | | | have turned from it to use local networking and club |
| than you having to go and chase them. | | | | performances as their radar screen for new talent. |
| * Build your relationship with your audience. Insiders | | | | You do the same. Do not concern yourself a great |
| tell us that scouts will come to a show for a musical | | | | deal with local radio coverage. Even college radio is |
| venue they don�t even understand. If you | | | | virtually a dead venue for getting noticed in this new |
| are doing something bold and new that they are not | | | | market. Focus on where the real contacts are being |
| able to evaluate musically, they will go by the crowd. | | | | made today, through local contacts, word of mouth |
| If your audience responds with excitement and | | | | and above all club and local festival performances. |
| enthusiasm, that is what gets the eyes and ears of | | | | Other good habits include using music industry |
| music executives. So pour yourself into the people | | | | contact directories like the one found at which list |
| for whom you are performing. That�s what | | | | contact information to over 20,000 important people |
| you love to do anyway so it�s an easy way | | | | in the music industry. |
| to get noticed and the right way too. | | | | It�s all in your network and what is |
| * Build your local network. Industry agents know club | | | | happening on the street that will make the difference |
| owners and booking agents for local events very | | | | between you getting noticed or not. In a way, |
| well. If you have a strong reputation with them, they | | | | that�s the way it always should have been, |
| will pass that information along to the scouts who | | | | having the focus placed on your band talent, |
| are looking for new talent. | | | | performance skill and live shows. That is where your |
| * Indie (independent) labels are also a rich source of | | | | strength is anyway. Be a savvy marketer and use |
| information for the larger recording houses to find | | | | this knowledge to raise the awareness of your band, |
| out about up and coming bands. You may have indie | | | | your talent, your songs and your performances. |
| labels near by so get to know them and get them to | | | | |